Joseph Allen – The Terminal (2004)

How does Cinematography & Mise-en-Scene create meaning & identity for the Audience, in an extract from ‘The Terminal’ (2004)?

Lucy Barrett – The Notebook (2004)

How do Sound & Performance create meaning for the Audience, in an extract from ‘The Notebook’ (2004)?

Louise Bone – 13 Going on 30 (2004)

How does Performance & Sound create a response in the Audience, within an extract from ’13 Going on 30’ (2004)?

Karis Bull-Welch – True Romance (1993)

How does Sound, Performance & Editing create a response from the Audience, in an extract from ‘True Romance’ (1993)?

Matthew Cowlin – School of Rock (2003)

How is Performance, Cinematography & Sound used to create a response from the Audience, in an extract from ‘School of Rock’ (2003)?

Daniella Crowley – Thirteen (2003)

How  does Cinematography & Sound create a response from the Audience, within an extract from ‘Thirteen’ (2003)?

Joe Currie – The Deer Hunter (1978)

How does Performance, Mise-en-scene & Cinematography create a response from the Audience, in an extract from ‘The Deer Hunter’ (1978)?

Poppy Dolan-Miller – Kidulthood (2006)

How does Performance, Mise-en-scene & Cinematography create a response from the Audience, in the final scene from ‘Kidulthood’ (2006)?

Darrell Duhy – Saving Private Ryan (1998)

How does Cinematography & Performance create a response from the Audience, in the Omaha Beach landing from the film ‘Saving Private Ryan’ (1998)?

Joe Fitzpatrick – Kill Bill: Vol.1 (2003)

How does Performance, Cinematography & Sound create a response from the Audience, in the fight scene from ‘Kill Bill: Vol.1’ (2003)?

Christopher Gale – Saving Private Ryan (1998)

How do Sound & Performance create meaning for the Audience, in an extract from ‘Saving Private Ryan’(1998)?

Lauren Graham – The Butterfly Effect (2004)

How does Editing & Performance create a response from the Audience, in an extract from ‘The Butterfly Effect’ (2004)?

Kurt Groves – The Strangers

How does Cinematography, Sound & Performance provoke a reaction from the Audience, in an extract from the film ‘The Strangers’?

Lillie Hand – Taken

How do Performance & Sound create meaning for the Audience in the opening extract of ‘Taken’?

Shauna Harrendence – Into the Wild (2007)

How does Performance & Cinematography create meaning for the Audience, in an extract from ‘Into the Wild’ (2007)?

Anthony Howell – The Dark Knight (2008)

How does Cinematography & Performance creates a response from the Audience, from an extract of ‘The Dark Knight’ (2008)?

Caroline Rainbow – Willy Wonka & the Chocolate Factory (1971)

How does Performance, Mise-en-scene & Sound create an alternative meaning to the Audience, within an extract of ‘Willy Wonka & the Chocolate Factory’ (1971)?

Samantha Rance – Van Helsing (2004)

How does Mise-en-scene & Cinematography create meaning to the Audience, during the opening sequence to ‘Van Helsing’ (2004)?

Charlotte Ruffles – Harry Potter and the Prisoner of Azkaban (2004)

How does Cinematography & Sound create a response in the Audience, in an extract from ‘Harry Potter and the Prisoner of Azkaban’ (2004)?

Lauren Emma Smith – Moulin Rouge

How does Cinematography, Mise-en-scene & Performance create a response from the Audience in the ‘El Tango de Roxanne’ scene in Moulin Rouge?

Rebekah Taylor – Road to Perdition (2003)

How does Cinematography, Sound & Performance create a response from the Audience, in an extract from ‘Road to Perdition’?

Amber Titterton – House of Flying Daggers (2004)

How does Performance, Sound & Mise-en-scene provoke a response from the Audience, in an extract from ‘House of Flying Daggers’ (2004)?

Laura Walsh – I Am Legend (2007)

How does Sound & Cinematography create a response from the Audience, in an extract from ‘I Am Legend’ (2007)?

George Whitworth – Reservoir Dogs (1992)

How does Performance, Cinematography & Mise-en-scene create a response from the Audience, in an extract from ‘Reservoir Dogs’ (1992)?